|Vidette in Pirogue
|FES Title:||Vidette in Pirogue|
|Alternate Titles:||A Pirate of the Gulf
|Size:||22″H x 33″W|
|Published:|| Schoonover, Frank E. “In the Haunts of Jean Lafitte.” Harper’s Monthly Magazine, December 1911: facing 82.
caption: There was always on guard one who sat and watched the gulf
The Winged Head Magazine, January 1913: cover.
“Sketch Book…featuring the work of outstanding Delaware artists.” Dateline Delaware, September-October, 1960: 28.
Apgar, John F., Jr. Frank E. Schoonover, Painter-Illustrator: A Bibliography. Morristown, NJ: John F. Apgar, Jr., 1969: 12.
Brandywine Valley to the Bay: Art from Private Collections. Newark: University of Delaware, 1991: 112.
Cordingly, David, ed. Pirates: Terror on the High Seas from the Caribbean to the South China Seas. Atlanta: Turner Publishing Inc., 1996: 183.
Ermoyan, Arpi. Famous American Illustrators. London: Quantum Publishing Ltd., 1997: 200.
Artline, May/June 2001: cover.
Le Bris, Michel, and Virginie Serna. Pirates & Flibustiers des Caraibes. Paris: Hoebeke, 2001: 191.
Reed, Walt. The Illustrator in America 1860-2000. New York: The Society of Illustrators, 2001: 119.
The Sewell C. Biggs Collection of American Art: A Catalogue. Dover, DE: Biggs Museum of American Art, 2002: 403.
Smith, Louise Schoonover. “The Art of Frank E. Schoonover.” Illustration, July 2003: 33.
|Inscription:||lr: Frank E. Schoonover / ’11|
|Exhibitions:||1912 Boston; 1912 Carnegie; 1913 WSFA; 1991 UD (catalog); 2001 FES; 2003 Farnsworth; 2006 HSD|
|Comments:|| 4×5 image from Biggs Museum; non-trany 4×5; index; edit; some prov info from Bwine to Bay
|Commentary:|| In January of 1911, Schoonover and his new bride traveled to Cuba and the bayou country of Louisiana for their honeymoon. In both locations, the artist visited the haunts of the pirates, sketched the environs, took photographs, and made notes with the plan of writing and illustrating an article on the infamous pirate, Jean Lafitte. Schoonover’s wife did research in the library while her husband continued to scour the bayous.
In this illustration, Vidette, leaning forward warily, waits in the ‘pirogue,’ guarding the entrance to Lafitte’s lair. The cluster of weeds, typical of the bayous in Louisiana, provides the perfect hiding place for the pirate. Schoonover took photographs of the bayou grasses reflecting his determination to be authentic about the details as well as the boat, the clothing and the objects.
In a letter to Alex H Lappe, Esq. in 1912, Schoonover wrote: “I made a trip through the various bayous to the islands and and there discovered some of the descendents of the Pierre Lafitte band…I paddled about in just such a green pirogue as you see in the picture…took up my position back of a fringe of salt marsh grass and watched the Gulf.” (archives, correspondence)
|Provenance:|| Sold by artist to Pittsburgh Athletic Association, Pittsburgh, Pennsylvania (December 17, 1912); Kennedy Galleries, Inc., New York; Christie’s New York (November 30, 1990); Sewell Biggs, Middletown, Delaware ; Sewell C. Biggs Museum of American Art, Dover, Delaware